CASE STUDY   STATEMENT OF INTENT

DESIGN

In the industrial setting of BIG HQ’s top floor in Copenhagen, objects of raw and uncompromising materiality resonate with the tectonics and aesthetics of their surroundings. Their geometry – at once ordered and disturbed – engages in a dialogue with the concrete volumes, open floor plates, and slender raw aluminium windows that frame views of the Nordhavn harbour. 

See the full Case Study in Ark Journal Vol. XIV.  

(1) 
BOWLS, ceramic, by Pia Engström Agesen.  
FUNKI LOUNGE TABLE from Louise Roe.  
MALKESKAMLEN, oak, by René Theis.  
TRANESTOLEN, oak, by René Theis.  
BARREL CHAIR, birch burl and Vanir upholstery, by Maria Bruun.  
SPANISH WORKER’S TABLE, vintage, from Studio Oliver Gustav.  
OBJECT NO. 03 by Lene Nendel from Ark Kollekt.  
V­1299 VASE, glazed volcanic clay by Jojo Corväiá from Rue Verte.  
CAST STOOL, unpolished aluminium, by Oeo Studio from Ark Kollekt.
SCULPTURE by Josefine Winding.  
DR SONDERBAR ARMCHAIR by Philippe Starck for Xo from Hvornum.
ASLAK RUG by Hanne Kortegaard from Linie Design.  

(2) 
3D MODELS by BIG.  
W25/2 SCULPTURE, oak, by Anders Pfeffer Gjengedal from Ark Kollekt.  
CERAMIC SCULPTURE by Thomas Johnsen.  
BIONIC CHAIR, Douglas fir and aluminium paint, by Minjae Kim from Etage Projects.  
COFFEE TABLE, scrap oak, red oak and Douglas fir, by Mavis.  
RAKU SERIES SCULPTURE, stoneware and white tin glaze by Bo Arenander from Ark Kollekt. 
SISTEMA TOTEM LAMP by 6:AM and NM3, Murano glass, from Sacrecoeur Design Store.  
MALKE­SKAMLEN, oak, by René Theis.  

(3) 
SPANISH WORKER’S TABLE, vintage, from Studio Oliver Gustav.  
WHITE SERIES SCULPTURE, stoneware, by Bo Arenander from Ark Kollekt.  
WABI­SABI UNFOLDED BOWL by Pia Engström Agesen.  
CAST STOOL by Oeo Studio, un­polished aluminium, from Ark Kollekt.  

STYLING PERNILLE VEST
PHOTOGRAPHY Heidi Lerkenfeldt
THE MECHANICS OF SCENT

THE MECHANICS OF SCENT

Previously presented in Paris, Los Angeles, and New York, FRAMA’s exhibition The Mechanics of Scent arrived in Copenhagen, inviting visitors to reconsider one of the most overlooked dimensions of design.

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CLOUDLIGHT, PARIS

CLOUDLIGHT, PARIS

Bathed in shifting daylight, Amélie du Chalard’s Paris home exists as a deeply personal landscape where art and daily life merge with quiet fluidity.

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CASE STUDY   STATEMENT OF INTENT

DESIGN

In the industrial setting of BIG HQ’s top floor in Copenhagen, objects of raw and uncompromising materiality resonate with the tectonics and aesthetics of their surroundings. Their geometry – at once ordered and disturbed – engages in a dialogue with the concrete volumes, open floor plates, and slender raw aluminium windows that frame views of the Nordhavn harbour. 

See the full Case Study in Ark Journal Vol. XIV.  

(1) 
BOWLS, ceramic, by Pia Engström Agesen.  
FUNKI LOUNGE TABLE from Louise Roe.  
MALKESKAMLEN, oak, by René Theis.  
TRANESTOLEN, oak, by René Theis.  
BARREL CHAIR, birch burl and Vanir upholstery, by Maria Bruun.  
SPANISH WORKER’S TABLE, vintage, from Studio Oliver Gustav.  
OBJECT NO. 03 by Lene Nendel from Ark Kollekt.  
V­1299 VASE, glazed volcanic clay by Jojo Corväiá from Rue Verte.  
CAST STOOL, unpolished aluminium, by Oeo Studio from Ark Kollekt.
SCULPTURE by Josefine Winding.  
DR SONDERBAR ARMCHAIR by Philippe Starck for Xo from Hvornum.
ASLAK RUG by Hanne Kortegaard from Linie Design.  

(2) 
3D MODELS by BIG.  
W25/2 SCULPTURE, oak, by Anders Pfeffer Gjengedal from Ark Kollekt.  
CERAMIC SCULPTURE by Thomas Johnsen.  
BIONIC CHAIR, Douglas fir and aluminium paint, by Minjae Kim from Etage Projects.  
COFFEE TABLE, scrap oak, red oak and Douglas fir, by Mavis.  
RAKU SERIES SCULPTURE, stoneware and white tin glaze by Bo Arenander from Ark Kollekt. 
SISTEMA TOTEM LAMP by 6:AM and NM3, Murano glass, from Sacrecoeur Design Store.  
MALKE­SKAMLEN, oak, by René Theis.  

(3) 
SPANISH WORKER’S TABLE, vintage, from Studio Oliver Gustav.  
WHITE SERIES SCULPTURE, stoneware, by Bo Arenander from Ark Kollekt.  
WABI­SABI UNFOLDED BOWL by Pia Engström Agesen.  
CAST STOOL by Oeo Studio, un­polished aluminium, from Ark Kollekt.  

STYLING PERNILLE VEST
PHOTOGRAPHY Heidi Lerkenfeldt