THE POWER OF GREY
— STUDIO OLIVER GUSTAV

ART

A tribute to the poetic yet haunting atmospheres of the canvases of Vilhelm Hammershøi (1864-1916), designer Oliver Gustav’s studio gallery is modelled on the oil-on-canvas interior paintings of the fêted Danish artist. A self-confessed extreme minimalist, Gustav finds his own sensibilities reflected in Hammershøi’s spareness.

“I need to show objects at the studio but I’ve always preferred very pared-down spaces where I can rest my eyes. That’s why I reflect Hammershøi’s paintings. His architectural details and sharp corners were character enough.”

Exploring the impact of Hammershøi’s mastery over the limited and cold Nordic light, and how this is reflected within his own studio space, Gustav discusses his succinct homage to Hammershøi’s distinctive vision.

The story of Hammershøi’s artwork as guide for the studio of Oliver Gustav is featured in Ark Journal VOL III.

WORDS TILI BENSLEY-NETTHEIM
PHOTOGRAPHY PETER RØDSGAARD RASMUSSEN
LANDON METZ

LANDON METZ

Space is important to Landon Metz. In his art, pools of colour float across canvas leaving vast areas of unprimed fabric. In his studio the same sense of space – and the importance of the negative – is evident in the blanks between sparsely scattered furniture and plants.

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CASE STUDY — PERIOD PIECES

CASE STUDY
— PERIOD PIECES

In the unique surroundings of the house created by Danish sculptor Rikard Axel Poulsen (1887-1972) furniture, lighting and homewares by contemporary designers exhibit their serene poise, the avant-garde flanked by the archaic to create layers of history.

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CULTIVATING PATINA

CULTIVATING PATINA

How to create a newly built house that feels comfortably familiar and as burnished as the well-loved objects that move with the owners? Designer Elisabeth Snejbjerg and former architect now photographer Mikael Bonde after 25 years in Copenhagen moved to the country near Aarhus to a house they designed and built among trees.

read more

THE POWER OF GREY — STUDIO OLIVER GUSTAV

ART

A tribute to the poetic yet haunting atmospheres of the canvases of Vilhelm Hammershøi (1864-1916), designer Oliver Gustav’s studio gallery is modelled on the oil-on-canvas interior paintings of the fêted Danish artist. A self-confessed extreme minimalist, Gustav finds his own sensibilities reflected in Hammershøi’s spareness.

“I need to show objects at the studio but I’ve always preferred very pared-down spaces where I can rest my eyes. That’s why I reflect Hammershøi’s paintings. His architectural details and sharp corners were character enough.”

Exploring the impact of Hammershøi’s mastery over the limited and cold Nordic light, and how this is reflected within his own studio space, Gustav discusses his succinct homage to Hammershøi’s distinctive vision.

The story of Hammershøi’s artwork as guide for the studio of Oliver Gustav is featured in Ark Journal VOL III.

WORDS TILI BENSLEY-NETTHEIM
PHOTOGRAPHY PETER RØDSGAARD RASMUSSEN
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