CASE STUDY
— THE COLLECTOR’S EYE

Design

In The Collector’s Eye, the melange of disparate elements, vintage and contemporary, refined and brutalist, are united by a discerning eclecticism in an historic exhibition space. Expert curation forges easy connections between diverse objects from divergent times and places, effortlessly linking eras and styles, materials and forms. This collection, with all the hallmarks of an exhibition, is photographed at Copenhagen’s Den Frie Centre of Contemporary Art, which has morphed and evolved in a similar manner since it was originally built  and designed in 1891 by artist and architect J.F. Willumsen.

This story is featured in Ark Journal VOL V.

STYLING PERNILLE VEST
PHOTOGRAPHY MIKKEL MORTENSEN / YELLOWS
CINCINATTI MODERN

CINCINATTI MODERN

High on a hillside in Cincinnati, sits a two-storey modernist wonder by two unsung heroes of American architecture, built for an art collector in the 1980s and that has been given a sensitive makeover to accommodate the collection of its second owner.

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CREATIVE TRANSITIONS

CREATIVE TRANSITIONS

Based on the loops and twists of the Möbius strip, an icon of mid-century Mexican design has become an integral part of the creative process for its custodian, designer and ceramicist Perla Valtierra.

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CASE STUDY
— THE COLLECTOR’S EYE

Design

In The Collector’s Eye, the melange of disparate elements, vintage and contemporary, refined and brutalist, are united by a discerning eclecticism in an historic exhibition space. Expert curation forges easy connections between diverse objects from divergent times and places, effortlessly linking eras and styles, materials and forms. This collection, with all the hallmarks of an exhibition, is photographed at Copenhagen’s Den Frie Centre of Contemporary Art, which has morphed and evolved in a similar manner since it was originally built  and designed in 1891 by artist and architect J.F. Willumsen.

This story is featured in Ark Journal VOL V.

STYLING PERNILLE VEST
PHOTOGRAPHY MIKKEL MORTENSEN / YELLOWS
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