MARFA MANIFESTATION: Donald Judd’s Marfa buildings restored through measured restraint
In the small town of Marfa, Texas, the Judd Foundation cares for 22 buildings acquired by Donald Judd and, since his death in 1994, has preserved them according to his artistic and architectural thinking.
MARAZZI, SHAPING INNOVATION THROUGH CERAMIC CRAFT
In the language of surfaces, few materials carry both memory and modernity as effortlessly as ceramic. For Marazzi, this duality has long defined its approach, an enduring dialogue between industrial precision and the human hand, between innovation and heritage.
THE MECHANICS OF SCENT
Previously presented in Paris, Los Angeles, and New York, FRAMA’s exhibition The Mechanics of Scent arrived in Copenhagen, inviting visitors to reconsider one of the most overlooked dimensions of design.
LAILA GOHAR REALM
Laila Gohar’s loft in Tribeca is maybe not what you’d expect if you know her from Tiffany campaigns or The New Yorker.
SCULPTING SPACE
Connected by raw materiality and primordial forms, Bosco Sodi’s home and studios in Mexico show the natural affinity between his art and architecture.
MODERN MANNERS
What does it take to restore a heritage protected 1950s house? Humility, patience and sheer determination brought new life to the early Philip Johnson house.
CLOUDLIGHT, PARIS
Bathed in shifting daylight, Amélie du Chalard’s Paris home exists as a deeply personal landscape where art and daily life merge with quiet fluidity.
HOME TBILISI – NATA JANBERIDZE
In her Tbilisi home and studio, the co-founder of Rooms Studio Nata Janberidze shapes Georgian architecture and design.
MARFA MANIFESTATION: Donald Judd’s Marfa buildings restored through measured restraint
In the small town of Marfa, Texas, the Judd Foundation cares for 22 buildings acquired by Donald Judd and, since his death in 1994, has preserved them according to his artistic and architectural thinking.
MARAZZI, SHAPING INNOVATION THROUGH CERAMIC CRAFT
In the language of surfaces, few materials carry both memory and modernity as effortlessly as ceramic. For Marazzi, this duality has long defined its approach, an enduring dialogue between industrial precision and the human hand, between innovation and heritage.
THE MECHANICS OF SCENT
Previously presented in Paris, Los Angeles, and New York, FRAMA’s exhibition The Mechanics of Scent arrived in Copenhagen, inviting visitors to reconsider one of the most overlooked dimensions of design.
CLOUDLIGHT, PARIS
Bathed in shifting daylight, Amélie du Chalard’s Paris home exists as a deeply personal landscape where art and daily life merge with quiet fluidity.







