In the language of surfaces, few materials carry both memory and modernity as effortlessly as ceramic. For Marazzi, this duality has long defined its approach, an enduring dialogue between industrial precision and the human hand, between innovation and heritage.
Previously presented in Paris, Los Angeles, and New York, FRAMA’s exhibition The Mechanics of Scent arrived in Copenhagen, inviting visitors to reconsider one of the most overlooked dimensions of design.
Ark Journal presents the third edition of DESIGN / DIALOGUE, the annual exhibition of curated design and art, this year taking place at Den Frie Udstilling in Copenhagen.
Compositions in wood – from funkis to modernity. Styled by Pernille Vest and Henriette Schou. Photographed by Anders Schønnemann.
The city of Como once again hosted the seventh edition of the Lake Como Design Festival, under the theme Fragments. The festival invited visitors to reflect on fragmentation not as a sign of rupture, but as a catalyst for creative rebirth, for the preservation of memory, and for a regenerative approach to design.
In the industrial setting of BIG HQ’s top floor in Copenhagen, objects of raw and uncompromising materiality resonate with the tectonics and aesthetics of their surroundings.
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