CASE STUDY
— THE COLLECTOR’S EYE
Design
In The Collector’s Eye, the melange of disparate elements, vintage and contemporary, refined and brutalist, are united by a discerning eclecticism in an historic exhibition space. Expert curation forges easy connections between diverse objects from divergent times and places, effortlessly linking eras and styles, materials and forms. This collection, with all the hallmarks of an exhibition, is photographed at Copenhagen’s Den Frie Centre of Contemporary Art, which has morphed and evolved in a similar manner since it was originally built and designed in 1891 by artist and architect J.F. Willumsen.
This story is featured in Ark Journal VOL V.
STYLING PERNILLE VEST
PHOTOGRAPHY MIKKEL MORTENSEN / YELLOWS
MARAZZI, SHAPING INNOVATION THROUGH CERAMIC CRAFT
In the language of surfaces, few materials carry both memory and modernity as effortlessly as ceramic. For Marazzi, this duality has long defined its approach, an enduring dialogue between industrial precision and the human hand, between innovation and heritage.
THE MECHANICS OF SCENT
Previously presented in Paris, Los Angeles, and New York, FRAMA’s exhibition The Mechanics of Scent arrived in Copenhagen, inviting visitors to reconsider one of the most overlooked dimensions of design.
CLOUDLIGHT, PARIS
Bathed in shifting daylight, Amélie du Chalard’s Paris home exists as a deeply personal landscape where art and daily life merge with quiet fluidity.
CASE STUDY
— THE COLLECTOR’S EYE
Design
In The Collector’s Eye, the melange of disparate elements, vintage and contemporary, refined and brutalist, are united by a discerning eclecticism in an historic exhibition space. Expert curation forges easy connections between diverse objects from divergent times and places, effortlessly linking eras and styles, materials and forms. This collection, with all the hallmarks of an exhibition, is photographed at Copenhagen’s Den Frie Centre of Contemporary Art, which has morphed and evolved in a similar manner since it was originally built and designed in 1891 by artist and architect J.F. Willumsen.
This story is featured in Ark Journal VOL V.
STYLING PERNILLE VEST
PHOTOGRAPHY MIKKEL MORTENSEN / YELLOWS