FRAMED COMPOSITION
— REBEKKA BAY AND RICKY NORDSON

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On the surface, Rebekka Bay and Ricky Nordson’s apartment in the historic heart of Copenhagen is a minimalist vision all in white, replete with rich details typical of the neighbourhood’s 18th century architecture. Returning to Copenhagen after living in New York City and London, Bay, the creative director for Marimekko, and her husband, a Scandinavian designer agent, played with scale and proportion. Slender hallways and vertiginous ceilings frame stand-alone items such as Alvar Aalto’s 41 Paimio armchair. They place just a few pieces in substantial rooms, playing with contrast and sightlines in a filmic way. In the dining room, an assembly of vintage chairs are part of a collection of 26 one-offs, including classics by Poul Kjærholm, Jean Prouvé, Lucian R Ercolani and Arne Jacobsen.
See this rendition of minimalism that is also a homage to its historic setting in Ark Journal Volume V.

STYLING PERNILLE VEST
PHOTOGRAPHY ANDERS SCHØNNEMANN
SPATIAL GESTURES

SPATIAL GESTURES

The wearable objects Yuta Ishihara makes under the moniker Shihara play tricks on us. “The hardware is in focus, in­corporated into the design itself,” says Ishihara.

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LAKE COME DESIGN FESTIVAL 2025

LAKE COME DESIGN FESTIVAL 2025

The city of Como once again hosted the seventh edition of the Lake Como Design Festival, under the theme Fragments. The festival invited visitors to reflect on fragmentation not as a sign of rupture, but as a catalyst for creative rebirth, for the preservation of memory, and for a regenerative approach to design.

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FRAMED COMPOSITION
— REBEKKA BAY AND RICKY NORDSON

HOME

On the surface, Rebekka Bay and Ricky Nordson’s apartment in the historic heart of Copenhagen is a minimalist vision all in white, replete with rich details typical of the neighbourhood’s 18th century architecture. Returning to Copenhagen after living in New York City and London, Bay, the creative director for Marimekko, and her husband, a Scandinavian designer agent, played with scale and proportion. Slender hallways and vertiginous ceilings frame stand-alone items such as Alvar Aalto’s 41 Paimio armchair. They place just a few pieces in substantial rooms, playing with contrast and sightlines in a filmic way. In the dining room, an assembly of vintage chairs are part of a collection of 26 one-offs, including classics by Poul Kjærholm, Jean Prouvé, Lucian R Ercolani and Arne Jacobsen.
See this rendition of minimalism that is also a homage to its historic setting in Ark Journal Volume V.

STYLING PERNILLE VEST
PHOTOGRAPHY ANDERS SCHØNNEMANN
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