OPEN PLAN
ARCHITECTURE
In 2018 Belgian architect Bruno Spaas discovered a space, an empty shell, on the top floor of a 15-storey tower building in Antwerp and with his newly founded architectural office, he initiated a capacious and free-spirited project that could serve as his future business card. He had no intention of living there and planned to sell it. However, on its completion Spaas realised what a unique and uncommon home it would make for him and his family.
Arriving from a dim elevator landing and stepping into the entrance space, visitors are met with an exceptional view of the Antwerp city centre. The labyrinthine floorplan has no dead ends, just seamless connections, transparent spaces and smooth surfaces that astound with myriad reflections of city life. Views and scenery change around every corner, and the interior design work intrigues with its contrasted materials: beige and brown tones used on surfaces throughout the apartment are set against unexpected blues and greens inside cabinets and built-in furniture. The matte stone floors and clay textured walls are countered by mirrors and glossy cabinet doors.
“I would like to put a smile on people’s faces when they step in here,” acknowledges the architect.
Read more in Ark Journal VOLUME IX.
WORDS SISSE BRO
PHOTOGRAPHY PIET-ALBERT GOETHALS
STYLING PERNILLE VEST
MARAZZI, SHAPING INNOVATION THROUGH CERAMIC CRAFT
In the language of surfaces, few materials carry both memory and modernity as effortlessly as ceramic. For Marazzi, this duality has long defined its approach, an enduring dialogue between industrial precision and the human hand, between innovation and heritage.
THE MECHANICS OF SCENT
Previously presented in Paris, Los Angeles, and New York, FRAMA’s exhibition The Mechanics of Scent arrived in Copenhagen, inviting visitors to reconsider one of the most overlooked dimensions of design.
CLOUDLIGHT, PARIS
Bathed in shifting daylight, Amélie du Chalard’s Paris home exists as a deeply personal landscape where art and daily life merge with quiet fluidity.
OPEN PLAN
ARCHITECTURE
In 2018 Belgian architect Bruno Spaas discovered a space, an empty shell, on the top floor of a 15-storey tower building in Antwerp and with his newly founded architectural office, he initiated a capacious and free-spirited project that could serve as his future business card. He had no intention of living there and planned to sell it. However, on its completion Spaas realised what a unique and uncommon home it would make for him and his family.
Arriving from a dim elevator landing and stepping into the entrance space, visitors are met with an exceptional view of the Antwerp city centre. The labyrinthine floorplan has no dead ends, just seamless connections, transparent spaces and smooth surfaces that astound with myriad reflections of city life. Views and scenery change around every corner, and the interior design work intrigues with its contrasted materials: beige and brown tones used on surfaces throughout the apartment are set against unexpected blues and greens inside cabinets and built-in furniture. The matte stone floors and clay textured walls are countered by mirrors and glossy cabinet doors.
“I would like to put a smile on people’s faces when they step in here,” acknowledges the architect.
Read more in Ark Journal VOLUME IX.
WORDS SISSE BRO
PHOTOGRAPHY PIET-ALBERT GOETHALS
STYLING PERNILLE VEST