OPEN PLAN

ARCHITECTURE

In 2018 Belgian architect Bruno Spaas discovered a space, an empty shell, on the top floor of a 15-storey tower building in Antwerp and with his newly founded architectural office, he initiated a capacious and free-spirited project that could serve as his future business card. He had no intention of living there and planned to sell it. However, on its completion Spaas realised what a unique and uncommon home it would make for him and his family.
Arriving from a dim elevator landing and stepping into the entrance space, visitors are met with an exceptional view of the Antwerp city centre. The labyrinthine floorplan has no dead ends, just seamless connections, transparent spaces and smooth surfaces that astound with myriad reflections of city life. Views and scenery change around every corner, and the interior design work intrigues with its contrasted materials: beige and brown tones used on surfaces throughout the apartment are set against unexpected blues and greens inside cabinets and built-in furniture. The matte stone floors and clay textured walls are countered by mirrors and glossy cabinet doors.
“I would like to put a smile on people’s faces when they step in here,” acknowledges the architect.

Read more in Ark Journal VOLUME IX.

WORDS SISSE BRO
PHOTOGRAPHY PIET-ALBERT GOETHALS
STYLING PERNILLE VEST
SPATIAL GESTURES

SPATIAL GESTURES

The wearable objects Yuta Ishihara makes under the moniker Shihara play tricks on us. “The hardware is in focus, in­corporated into the design itself,” says Ishihara.

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LAKE COME DESIGN FESTIVAL 2025

LAKE COME DESIGN FESTIVAL 2025

The city of Como once again hosted the seventh edition of the Lake Como Design Festival, under the theme Fragments. The festival invited visitors to reflect on fragmentation not as a sign of rupture, but as a catalyst for creative rebirth, for the preservation of memory, and for a regenerative approach to design.

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OPEN PLAN

ARCHITECTURE

In 2018 Belgian architect Bruno Spaas discovered a space, an empty shell, on the top floor of a 15-storey tower building in Antwerp and with his newly founded architectural office, he initiated a capacious and free-spirited project that could serve as his future business card. He had no intention of living there and planned to sell it. However, on its completion Spaas realised what a unique and uncommon home it would make for him and his family.
Arriving from a dim elevator landing and stepping into the entrance space, visitors are met with an exceptional view of the Antwerp city centre. The labyrinthine floorplan has no dead ends, just seamless connections, transparent spaces and smooth surfaces that astound with myriad reflections of city life. Views and scenery change around every corner, and the interior design work intrigues with its contrasted materials: beige and brown tones used on surfaces throughout the apartment are set against unexpected blues and greens inside cabinets and built-in furniture. The matte stone floors and clay textured walls are countered by mirrors and glossy cabinet doors.
“I would like to put a smile on people’s faces when they step in here,” acknowledges the architect.

Read more in Ark Journal VOLUME IX.

WORDS SISSE BRO
PHOTOGRAPHY PIET-ALBERT GOETHALS
STYLING PERNILLE VEST
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