TERRA IGNOTA
— ÅKE E:SON LINDMAN
ART
The chemigrams of Åke E: son Lindman swap the literalness of his highly regarded architecture photos for the uncertain procedure of creating images without a camera or a subject. Using chemicals directly on light-sensitive paper, Terra Ignota, Latin for “foreign lands”, is a series of dreamy landscape-like images. See the special insert in Ark Journal Volume V.
Images by ÅKE E:SON LINDMAN
BETWEEN MEMORY AND MATTER
In Tashkent, a 1912 diesel station has been transformed by Studio KO into Uzbekistan’s first permanent centre for contemporary art — a place where history, material and contemporary culture meet.
MARFA MANIFESTATION: Donald Judd’s Marfa buildings restored through measured restraint
In the small town of Marfa, Texas, the Judd Foundation cares for 22 buildings acquired by Donald Judd and, since his death in 1994, has preserved them according to his artistic and architectural thinking.
MARAZZI, SHAPING INNOVATION THROUGH CERAMIC CRAFT
In the language of surfaces, few materials carry both memory and modernity as effortlessly as ceramic. For Marazzi, this duality has long defined its approach, an enduring dialogue between industrial precision and the human hand, between innovation and heritage.
TERRA IGNOTA — ÅKE E:SON LINDMAN
ART
The chemigrams of Åke E: son Lindman swap the literalness of his highly regarded architecture photos for the uncertain procedure of creating images without a camera or a subject. Using chemicals directly on light-sensitive paper, Terra Ignota, Latin for “foreign lands”, is a series of dreamy landscape-like images. See the special insert in Ark Journal Volume V.
Images by ÅKE E:SON LINDMAN