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A philosophy about space and light anchored by a collection of Poul Kjærholm furniture defines an early modernist house in Kyoto.
A philosophy about space and light anchored by a collection of Poul Kjærholm furniture defines an early modernist house in Kyoto.
In 2018 Belgian architect Bruno Spaas discovered a space, an empty shell, on the top floor of a 15-storey tower building in Antwerp and with his newly founded architectural office, he initiated a capacious and free-spirited project that could serve as his future business card.
How to create a newly built house that feels comfortably familiar and as burnished as the well-loved objects that move with the owners? Designer Elisabeth Snejbjerg and former architect now photographer Mikael Bonde after 25 years in Copenhagen moved to the country near Aarhus to a house they designed and built among trees.
In personal as well as professional projects, Danielle Siggerud respects the past but also sheds and refines before creating tailored layers of significance.
Cast architectural models inhabit the fine line between art and architecture. Welcomed into homes as if they are sculptures, these once functional objects exist somewhere between inconclusiveness and completeness, and reach into our unconscious to provoke a multitude of interpretations.
Architect Judith Haase gets her creative sustenance from many sources: fearless women, avant-garde theatre, the proportions of a tatami mat, and spaces where light is a defining element.
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