CREATIVE CAST
— PORTFOLIO
Architecture
Cast architectural models inhabit the fine line between art and architecture. Welcomed into homes as if they are sculptures, these once functional objects exist somewhere between inconclusiveness and completeness, and reach into our unconscious to provoke a multitude of interpretations. Does it have purpose? What does it represent? What is its scale? How was it made?
The enigma of cast objects, in particular scale models, has fascinated artists, craftsmen and collectors for centuries. Concrete or plaster casting has long been compared with archaeology or geology: Le Corbusier famously lined the formwork of his béton brut buildings with shells; Constantin Brâncuși, described the unconscious and archaeological dialogue between mould and cast.
To cast literally means to throw. To send something (forcefully) in a specified direction, but with an uncertain conclusion. The art of the craft lies more with designing what will not be there, than what will. It is the alchemical process of casting that transforms them from object to artefact.
Enjoy this meditation on moulds and casting by Justine Bell in Ark Journal VOL IV.
IMAGE (TOP) MARY DUGGAN ARCHITECTS, CAMPUS, plaster model 1:500
FORMAFANTASMA
— THROUGH THE LOOKING GLASS
Milan-based duo Formafantasma are agents of change, investigating through exhibitions, research projects, symposia and teaching the ecological, historical, political and social forces shaping design today.
MAKERS OF MEMORIES
Finding balance through contrast is at the heart of the architectural and design practice of Fanny Bauer Grung and David Lopez Quincoces. Past and present. Simple and rich.
OPEN PLAN
In 2018 Belgian architect Bruno Spaas discovered a space, an empty shell, on the top floor of a 15-storey tower building in Antwerp and with his newly founded architectural office, he initiated a capacious and free-spirited project that could serve as his future business card.
CREATIVE CAST — PORTFOLIO
Architecture
Cast architectural models inhabit the fine line between art and architecture. Welcomed into homes as if they are sculptures, these once functional objects exist somewhere between inconclusiveness and completeness, and reach into our unconscious to provoke a multitude of interpretations. Does it have purpose? What does it represent? What is its scale? How was it made?
The enigma of cast objects, in particular scale models, has fascinated artists, craftsmen and collectors for centuries. Concrete or plaster casting has long been compared with archaeology or geology: Le Corbusier famously lined the formwork of his béton brut buildings with shells; Constantin Brâncuși, described the unconscious and archaeological dialogue between mould and cast.
To cast literally means to throw. To send something (forcefully) in a specified direction, but with an uncertain conclusion. The art of the craft lies more with designing what will not be there, than what will. It is the alchemical process of casting that transforms them from object to artefact.
Enjoy this meditation on moulds and casting by Justine Bell in Ark Journal VOL IV.
IMAGE (TOP) MARY DUGGAN ARCHITECTS, CAMPUS, plaster model 1:500